Open House
×

Open House

Patrick La Marre

These texts are an attempt to delve into the affective and experiential qualities of the built environment. Through an anxious realism, I explore the impermanence of the city. The central story, Destiny’s Child, imagines the life of a worker in an unspecified construction trade. The narrative follows this nameless protagonist through the familiar motions of a day on the job. The worker works to level a stretch of ground in preparation for a generic building project, plaza or perhaps a housing development. 

Thematic

Professor

Location

Date

Real Estate Development

Marie-Sophie Banville

Montreal, Qc

This is hi-vis culture; stickers on giant lunch boxes and hard plastic helmets, a vague idea of getting the city built.  But when is the city done? At what point is the landscape no longer workable, re-workable? Think about a future where broken down debris, dust from development projects is so fine, piled on so thick that to find footing is impossible.    

I’d heard this second hand: someone somewhere, looking out over a desert landscape proclaimed: “One day all of this will be drywall”. Drywall is made of Gypsum not sand, so I guess they were looking out into the vast white sand somewhere southwest. In any case, the focus here is on the misinterpretation of materials. The story then, must be an attempt at rendering the bland poetry of a contemporary suburban landscape and its effect on the human psyche — something like that.  

Think of the imprints on the soft wood of a kitchen table – kids scrawling, folks writing out cheques or recipes, part of that stuff stays in the table like carbon copy pictographs.  Things take something on when they are worked in.  Stuff, goods, objects attain some patina. That first poem there is about all of that.


Scroll on through ------------------



- Patrick La Marre

No items found.

About

×
The Office of Rules and Norms (ORN) is an arts-based transdisciplinary collective that engages with regulations, the rule of law and cultural norms. These engagements reveal, comprehend, play with, subvert, and transcend current ways of understanding and acting in relation to regulatory forces in order to make room for more equitable alternatives. In its attempts to query legal and behavioral urban infrastructures, the ORN specifically deploys art and design practice, culture, and methods along three axes:
Art as Subversion | Intervening in grey areas of regulation
Art as Pedagogy | Making public various forces and forms of influence
Art as Decision-Making | Reorienting modes of knowing and deliberating